A question for you expert photo guys. Since I don't have the access some of you have I need to shoot with long lenses. Probably a 300mm Canon L series with a 2.0x, or a 1.4x attached to it. I know the rule of thumb to prevent blurry photos is if your length is 500mm, no slower than 1/500th shutter speed. Now my question, at what shutter speed does the prop freeze. There is nothing worse than a shot of an airplane in the air with the prop froze like it is on ground display.
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Re: But seriously
Originally posted by T. Adams
Really I don't want to stop the prop. At what speed will I be in danger of stopping it.
I know what the "formula" is if you shoot a 500mm then shoot at no less than 1/500 but you just have to cheat on this.
I've been using a 500mm lens with great success shooting as low as 1/250th and if you are fairly steady and follow the subject, you'll get decent results.
This photo for example was shot at 500mm but I bumped up the shutter speed to 1/350th due to there being severe wind buffeting me and bouncing the lens/camera around significantly and it's not a close in shot, Dave Morss is quite a distance away from me and if memory serves me correctly, he was moving significantly in the frame.. but the results do speak for themselves.
A lot of it depends on the prop rpm of course. A slower rpm and you'll have to drop the shutter speed correspondingly. There is a math formula, of which I dont' have handy, where you can calculate the prop rpm versus shutter speed and basically know how far the prop will move during the shutter opening. I suppose it's basic math if you know the prop rpm.. Hope this helps. pic below.
Wayne
Wayne Sagar
"Pusher of Electrons"
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My $.02
I agree with Adams, 'stopped' props are for static display! The prop blur goes along way to adding the extra feel of speed and motion in the picture. Also, cranking a shutter speed of 1/1000 will stop the prop--and almost guarantee the picture is sharp (assuming the focus is good).
The challenge is slowing the shutter down to capture the relative speed of the prop without losing the crispness of the plane due to the it’s motion. The easiest shot is when the plane is more-or-less coming straight toward the camera. I have had good luck shooting at 1/250 (at 400mm) which gives about 30 degree prop blur arc (on a P51 at full speed). At 1/500 you will get only a minor blurring of the prop.
If the plane is crossing side to side, the prop blur will become less noticeable because of the orientation of the prop’s relative motion. Likewise, the shot is more difficult to capture because you have to track the subject with camera and are more prone to blurring the subject due to high zoom (and in my case—shakey hands). I usually bump the shutter speed up (and still yield quite a few blurry airplanes). The effect worsens if the subject is transitioning through focus ranges (Ie, not consistently within the infinity focus of the lens).
I just bought a Canon L series 100-400 Tele (and the digital body add a 1.6x factor to that) w/ image stabilization, which Canon advertises gives you an additional 2 stops, so I will be looking forward to the upcoming airshow season to give it a through test drive and seeing how much the props can be blurred!
Kraz~
Kraz Avian Photo
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Gotta love Digital
The Bonus of digital is the *extra* data encoded in the photo. For the above photo of the T-6:
Camera Model Name: Canon EOS D30
Shooting Date/Time: 9/10/2001 4:35:32 PM
Shooting Mode: Shutter Speed Priority AE
Tv (Shutter Speed): 1/20
Av (Aperture Value): 19
Metering Mode: Center-weighted averaging
Exposure Compensation: +1
ISO Speed: 100
Lens: 75.0 - 300.0 mm
Focal Length: 230.0 mm
Image Size: 2160 x 1440
Image Quality: Fine
Flash: Off
White Balance: Auto
AF Mode: AI Servo AF
Parameters:
- Contrast Normal
- Sharpness Normal
- Color Saturation Normal
File Size: 929 KB
Drive Mode: Continuous shooting
Macro: Off
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What.. Your's Don't Tell Ya If Ya Used A Tripod!!??
Well... did ya? If you can shoot that clean at 1/20 and not use a tripod.. Dood.. you DO have the hands of a brain surgeon!
<fancy hand drawn sigfile>
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-One-Take-Wayne-
pushy opinionated
editor type A guy
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</fancy hand drawn sigfile>Wayne Sagar
"Pusher of Electrons"
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Maybe.....
Naw, If I recall, I left my tripod in the office and actually I braced the camera against the crowd fence along pit row.... Took several attempts to get the right effect too-- another advantage of digital: Image review! I kept creeping up on the right combo for the full arc, but could review each shot. I also had several shakey burred shots too.
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Still Pretty Damn Steady!
Wait'll you turn 50... liver spots and shaky hands... not to mention thinning hair.... oops.. you already have that..
<ducks as he runs out of the room dodging sharp objects thrown by Kraz>
One-take-Wayne
I've turned into a vampire.. I must return to my coffin! The bright glowing orb has risin and I'm beginning to melt!!!Wayne Sagar
"Pusher of Electrons"
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First try
Well what a can of worms I opened. Here is my first try to post an image "prop blurred". This was shot with the cheap Canon consumer 75-300 USM zoom. I have dumped that lense, bought a 70-200 f/4L, and plan on being armed with a 300 f/4L and teleconverters at this years race. I guess I'll have to try "prop stopped" and "prop blurred". I just hope I don't get too many of the dreaded "planes blurred".
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Laying down the gauntlet..
Mark, Now if you could get a shot that *stopped* turbine blades in flight on... say... oh.. an F-15... now, THAT would be impressive. Hmmm, let see... 50,000 rpm is aprox 1 revoution every .0012 seconds, so at 1/1000 you are still getting 300 degrees rotation of the bades.... Yeah, stop that! <grin>.
Adams, Great shot of Miss A! The painted prop tips make for a wonderful effect on that one! Keep up the great work. Also, would be interested in how your new 'L' lens does for you, especially coupled with the doubler...
Kraz
(charter member of the PBAC (Prop Blurrs are Cool) Club
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LOL.... don't get DABEAR started.. As soon as he sees in the manual for the D1 that one of the things it's really good at is extremely high shutter speeds. I've seen shots of water coming out of a faucet where it stopped all the dropletts of water illistrating that it's not really a "stream" but a collection of many areaited dropletts together...
And I agree.. those are nice shots by T. Adams.. as well as a nice shot by Mr. Beardood.
We'll never agree on the stopped/notstopped issue but... nice none the less.
One-Take-WayneWayne Sagar
"Pusher of Electrons"
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